There’s definitely reason behind the modern-style, but that doesn’t do away with the fact that Sponge on the Run is using this style to cater to pop culture cameos, meandering jokes, and writing that lost its shine decades ago. Far less fluid than the show, and with animation that feels more defined, but extremely rigid. It strips away the charm of the show, in its place a rather disturbing collection of sleek, modern animation styles. This new style of animation is rather horrid, but that may just be the nostalgia talking. Relying far too frequently on nostalgic pops at the original, the return of King Poseidon, the Krabby Patty car, and also appealing to the modern pop culture of those that fawn over Keanu Reeves. Bringing back a great deal of call-backs to the previous two films, this latest film adaptation of Spongebob Squarepants feels both devoid of life and absent of fresh ideas.
Something that’ll hit all the cliché numbers of an average Spongebob Squarepants episode, but stretched out to feature-length time.Īnother classic caper for the articulate Sponge and Star duo, The Spongebob Movie: Sponge on the Run follows Spongebob Squarepants (Tom Kenny) and Patrick Star (Bill Fagerbakke) on a quest to save Gary after he’s kidnapped by Plankton (Mr. The Spongebob Movie: Sponge on the Run, then, is the perfect piece to watch. For once, Netflix has its purpose, its cannon fodder release schedule for the Christmas period allows for a remarkably lax and resigned approach, one that requires little concentration, and even less brainpower. It is instead time to craft a duvet fort, pour out an endless supply of tea and crack through some of the lighter films on my watchlist. Now is simply not the time to watch mind-bending movie that’ll require overwhelming attention. With my mind pickled by alcohol and rotted by the coronavirus, my holiday weeks have startled me with a premature beginning.
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